Twenty years ago Lucie Bowen left Marrow Island; along with her mother, she fled the aftermath of an earthquake that compromised the local refinery, killing her father and ravaging the island’s environment. Now, Lucie’s childhood friend Kate is living within a mysterious group called Marrow Colony—a community that claims to be “ministering to the Earth.” There have been remarkable changes to the land at the colony’s homestead. Lucie’s experience as a journalist tells her there’s more to the Colony—and their charismatic leader– than they want her to know, and that the astonishing success of their environmental remediation has come at great cost to the Colonists themselves. As she uncovers their secrets and methods, will Lucie endanger more than their mission? What price will she pay for the truth?

In the company of Station Eleven and California, Marrow Island uses two tense natural disasters to ask tough questions about our choices—large and small. A second novel from a bookseller whose sleeper-hit debut was praised by Karen Russell as “haunted, joyful, beautiful….” it promises to capture and captivate new readers even as it thrills her many existing fans.

As a child, Helen Macdonald was determined to become a falconer. She learned the arcane terminology and read all the classic books, including T.H. White’s tortured masterpiece, “The Goshawk,” which describes White’s struggle to train a hawk as a spiritual contest.

When her father dies and she is knocked sideways by grief, she becomes obsessed with the idea of training her own goshawk. She buys Mabel for £800 on a Scottish quayside and takes her home to Cambridge. Then she fills the freezer with hawk food and unplugs the phone, ready to embark on the long, strange business of trying to train this wildest of animals.

Destined to be a classic of nature writing, “H is for Hawk” is a record of a spiritual journey – an unflinchingly honest account of Macdonald’s struggle with grief during the difficult process of the hawk’s taming and her own untaming. At the same time, it’s a kaleidoscopic biography of the brilliant and troubled novelist T. H. White, best known for “The Once and Future King.” It’s a book about memory, nature and nation, and how it might be possible to try to reconcile death with life and love.

From the New York Times bestselling author of The Recovering and The Empathy Exams comes the riveting story of rebuilding a life after the end of a marriage—an exploration of motherhood, art, and new love.
 
Leslie Jamison has become one of our most beloved contemporary voices, a scribe of the real, the true, the complex. She has been compared to Joan Didion and Susan Sontag, acclaimed for her powerful thinking, deep feeling, and electric prose. But while Jamison has never shied away from challenging material—scouring her own psyche and digging into our most unanswerable questions across four books— Splinters enters a new realm.
 
In her first memoir, Jamison turns her unrivaled powers of perception on some of the most intimate relationships of her her consuming love for her young daughter, a ruptured marriage once swollen with hope, and the shaping legacy of her own parents’ complicated bond. In examining what it means for a woman to be many things at once—a mother, an artist, a teacher, a lover—Jamison places the magical and the mundane side by side in surprising ways: pumping breastmilk in a shared university office, driving the open highway in the throes of new love, growing a tender second skin of consciousness as she watches her daughter come alive to the world. The result is a work of nonfiction like no other, an almost impossibly deep reckoning with the muchness of life and art, and a book that grieves the departure of one love even as it celebrates the arrival of another.
 
How do we move forward into joy when we are haunted by loss? How do we claim hope alongside the harm we’ve caused? A memoir for which the very term tour de force seems to have been coined, Splinters plumbs these and other pressing questions with writing that is revelatory to the last page. Jamison has delivered a book with the linguistic daring and emotional acuity that made The Empathy Exams and The Recovering instant classics, even as she reaches new depths of understanding, piercing the reader to the core. A master of nonfiction, she evinces once again her ability to “stitch together the intellectual and the emotional with the finesse of a crackerjack surgeon” (NPR).

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these lenses of knowledge together to show that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings are we capable of understanding the generosity of the earth, and learning to give our own gifts in return.

An irreverently sexy, tender, hilarious, and surprising novel about a woman upending her life

A semifamous artist announces her plan to drive cross-country, from LA to New York. Twenty minutes after leaving her husband and child at home, she spontaneously exits the freeway, beds down in a nondescript motel, and immerses herself in a temporary reinvention that turns out to be the start of an entirely different journey.

Miranda July’s second novel confirms the brilliance of her unique approach to fiction. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.

A sharply intelligent and intimate debut novel about a secret society of hungry young women who meet after dark and feast to reclaim their appetites–and their physical spaces–that posits the question: if you feed a starving woman, what will she grow into?

Roberta spends her life trying not to take up space. At almost thirty, she is adrift and alienated from life. Stuck in a mindless job and reluctant to pursue her passion for food, she suppresses her appetite and recedes to the corners of rooms. But when she meets Stevie, a spirited and effervescent artist, their intense friendship sparks a change in Roberta, a shift in her desire for more. Together, they invent the Supper Club, a transgressive and joyous collective of women who gather to celebrate, rather than admonish, their hungers. They gather after dark and feast until they are sick; they break into private buildings and leave carnage in their wake; they embrace their changing bodies; they stop apologizing. For these women, each extraordinary yet unfulfilled, the club is a way to explore, discover, and push the boundaries of the space they take up in the world. Yet as the club expands, growing both in size and rebellion, Roberta is forced to reconcile herself to the desire and vulnerabilities of the body–and the past she has worked so hard to repress. Devastatingly perceptive and savagely funny, Supper Club is an essential coming-of-age story for our times.

When a teenager vanishes from her Adirondack summer camp, two worlds collide

Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found.

As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue-collar community working in its shadow, Moore’s multi-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore’s most ambitious and wide-reaching novel yet.

A heart-racing fun house of uncanniness hidden in Florida’s underbelly, from a reality-warping storyteller.

Along with her husband, a ghostwriter for a famous thriller author returns to her mother’s house in the Florida town where she grew up. As the summer heat sets in, she wrestles with family secrets and memories of her own troubled youth. Her mercurial sister, who lives next door, spends a growing amount of time using MIND’S EYE, a virtual reality device provided to citizens of the town by ELECTRA, a tech company in South Florida, during the doldrums of a recent pandemic. But it’s not just the ominous cats, her mother’s burgeoning cult, or the fact that her belly button has become an increasingly deep cavern―something is off in the town, and it probably has to do with the posters of missing citizens spread throughout the streets.

During a violent rainstorm, the writer’s sister goes missing for several days. When she returns, sprawled on their mother’s lawn and speaking of another dimension, the writer is forced to investigate not only what happened to her sister and the other missing people but also the uncanny connections between ELECTRA, the famous author, and reality itself.

A sticky, rain-soaked reckoning with the elusive nature of storytelling, Laura van den Berg’s Florida Diary is an interlocking and page-turning whirlwind. With inimitable control and thrilling style, she reaches deep into the void and returns with a story far stranger than either reality or fiction.

Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they’ll never face the same fate.

Robbie lives by his gun and one hard-learned other people aren’t safe.

After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics―all while outrunning packs of feral men, and their own demons.

It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a “haunting”; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

In this stunning novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich tells a story of love, natural forces, spiritual yearnings, and the tragic impact of uncontrollable circumstances on ordinary people’s lives.

History is a flood. The mighty red . . .

In Argus, North Dakota, a collection of people revolve around a fraught wedding.

Gary Geist, a terrified young man set to inherit two farms, is desperate to marry Kismet Poe, an impulsive, lapsed Goth who can’t read her future but seems to resolve his.

Hugo, a gentle red-haired, home-schooled giant, is also in love with Kismet. He’s determined to steal her and is eager to be a home wrecker.

Kismet’s mother, Crystal, hauls sugar beets for Gary’s family, and on her nightly runs, tunes into the darkness of late-night radio, sees visions of guardian angels, and worries for the future, her daughter’s and her own.

Human time, deep time, Red River time, the half-life of herbicides and pesticides, and the elegance of time represented in fracking core samples from unimaginable depths, is set against the speed of climate change, the depletion of natural resources, and the sudden economic meltdown of 2008-2009. How much does a dress cost? A used car? A package of cinnamon rolls? Can you see the shape of your soul in the everchanging clouds? Your personal salvation in the giant expanse of sky? These are the questions the people of the Red River Valley of the North wrestle with every day.

The Mighty Red is a novel of tender humor, disturbance, and hallucinatory mourning. It is about on-the-job pains and immeasurable satisfactions, a turbulent landscape, and eating the native weeds growing in your backyard. It is about ordinary people who dream, grow up, fall in love, struggle, endure tragedy, carry bitter secrets; men and women both complicated and contradictory, flawed and decent, lonely and hopeful. It is about a starkly beautiful prairie community whose members must cope with devastating consequences as powerful forces upend them. As with every book this great modern master writes, The Mighty Red is about our tattered bond with the earth, and about love in all of its absurdity and splendor.

A new novel by Louise Erdrich is a major literary event; gorgeous and heartrending, The Mighty Red is a triumph.

At the edge of the Russian wilderness, winter lasts most of the year and the snowdrifts grow taller than houses. But Vasilisa doesn’t mind—she spends the winter nights huddled around the embers of a fire with her beloved siblings, listening to her nurse’s fairy tales. Above all, she loves the chilling story of Frost, the blue-eyed winter demon, who appears in the frigid night to claim unwary souls. Wise Russians fear him, her nurse says, and honor the spirits of house and yard and forest that protect their homes from evil.

After Vasilisa’s mother dies, her father goes to Moscow and brings home a new wife. Fiercely devout, city-bred, Vasilisa’s new stepmother forbids her family from honoring the household spirits. The family acquiesces, but Vasilisa is frightened, sensing that more hinges upon their rituals than anyone knows.

And indeed, crops begin to fail, evil creatures of the forest creep nearer, and misfortune stalks the village. All the while, Vasilisa’s stepmother grows ever harsher in her determination to groom her rebellious stepdaughter for either marriage or confinement in a convent.

As danger circles, Vasilisa must defy even the people she loves and call on dangerous gifts she has long concealed—this, in order to protect her family from a threat that seems to have stepped from her nurse’s most frightening tales.

The Bear and the Nightingale is a magical debut novel from a gifted and gorgeous voice. It spins an irresistible spell as it announces the arrival of a singular talent.

A dark comedy about second acts, creative appropriation, and the racial identity–industrial complex

Jane has high hopes her life is about to turn around. After years of living precariously, she; her painter husband, Lenny; and their two kids have landed a stint as house sitters in a friend’s luxurious home in the hills above Los Angeles, a gig that coincides magically with Jane’s sabbatical. If she can just finish her latest novel, Nusu Nusu, the centuries-spanning epic Lenny refers to as her “mulatto War and Peace,” she’ll have tenure and some semblance of stability and success within her grasp.

But things don’t work out quite as hoped. In search of a plan B, like countless writers before her, Jane turns her desperate gaze to Hollywood. After she meets with a hot young producer to create “diverse content” for a streaming network, he seems excited to work with a “real writer.” She can create what he envisions as the greatest biracial comedy to ever hit the small screen. Things finally seem to be going right for Jane—until they go terribly wrong.