Anyone will tell you the born of this world are marked from the get-out, win or lose.”

Set in the mountains of southern Appalachia, this is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father’s good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities.

Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens’ anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can’t imagine leaving behind.

Geeta’s no-good husband disappeared five years ago. She didn’t kill him, but everyone thinks she did–no matter how much she protests.

But she soon discovers that being known as a “self-made” widow has some surprising perks. No one messes with her, no one threatens her, and no one tries to control (ahem, marry) her. It’s even been good for her business; no one wants to risk getting on her bad side by not buying her jewelry.

Freedom must look good on Geeta, because other women in the village have started asking for her help to get rid of their own no-good husbands…but not all of them are asking nicely.

Now that Geeta’s fearsome reputation has become a double-edged sword, she must decide how far to go to protect it, along with the life she’s built. Because even the best-laid plans of would-be widows tend to go awry.

From the prize-winning author of The Beekeeper of Aleppo, a stunning novel about the disappearance of a Sri Lankan nanny and how the most vulnerable people find their voices.

It began with a crunch of leaves and earth. So early, so cold, the branches shone with ice. I’d returned to collect the songbirds. They are worth more than their weight in gold.

Yiannis is a poacher, trapping the tiny protected songbirds that stop in Cyprus as they migrate each year from Africa to Europe and selling them on the black market. He dreams of finding a new way of life, and of marrying Nisha, who works on the island as a nanny and maid–having left her native Sri Lanka to try to earn enough to support her daughter, left behind and raised by relatives.

But Nisha has vanished; one evening, she steps out on a mysterious errand and doesn’t return. The police write off her disappearance as just another runaway domestic worker, so her employer, Petra, undertakes the investigation.

Petra’s unravelling of Nisha’s last days in Cyprus lead her to Nisha’s friends–other maids in the neighborhood–and to the darker side of a migrant’s life, where impossible choices leave them vulnerable, captive, and worse.

Based on the real-life disappearance of domestic workers in Cyprus, Christy Lefteri has crafted a poignant, deeply empathetic narrative of the human stories behind the headlines. With infinite tenderness and skill, Songbirds offers a triumphant story of the fight for truth and justice, and of women reclaiming their lost voices.

The Yaga siblings–Bellatine, a young woodworker, and Isaac, a wayfaring street performer and con artist–have been estranged since childhood, separated both by resentment and by wide miles of American highway. But when they learn that they are to receive a mysterious inheritance, the siblings are reunited–only to discover that their bequest isn’t land or money, but something far stranger: a sentient house on chicken legs.

Thistlefoot, as the house is called, has arrived from the Yagas’ ancestral home in Russia–but not alone. A sinister figure known only as the Longshadow Man has tracked it to American shores, bearing with him violent secrets from the past: fiery memories that have hidden in Isaac and Bellatine’s blood for generations. As the Yaga siblings embark with Thistlefoot on a final cross-country tour of their family’s traveling theater show, the Longshadow Man follows in relentless pursuit, seeding destruction in his wake. Ultimately, time, magic, and legacy must collide–erupting in a powerful conflagration to determine who gets to remember the past and craft a new future.

An enchanted adventure illuminated by Jewish myth and adorned with lyrical prose as tantalizing and sweet as briar berries, Thistlefoot is an immersive modern fantasy saga by a bold new talent.

From the National Book Award-longlisted author of The Portable Veblen

Penny Rush has problems. Her marriage is over, and she’s quit her job. Her mother and stepfather went missing in the Australian outback five years ago; her mentally imbalanced father provokes her; her grandmother, Dr. Pincer, keeps experiments in the refrigerator and something worse in the woodshed. But Penny is a virtuoso at what’s possible when all else fails.

The Dog of the North follows Penny on her quest for a fresh start. There will be a road trip in an old van with gingham curtains, a piñata, and stiff brakes. There will be injury and peril. There will be a dog named “Kweecoats” and two brothers who may share a toupée. There will be questions: Why is a detective investigating her grandmother, and what is “the scintillator”? And can Penny recognize a good thing when it finally comes her way?

This slyly humorous, thoroughly winsome novel finds the purpose in life’s curve balls, insisting that even when we are painfully warped by those we love most, we can be brought closer to our truest selves.

An orphan grapples with gender, siblinghood, family, and coming-of-age as a Muslim in America in this lyrical debut novel from the acclaimed author of If They Come For Us

In this heartrending, lyrical debut work of fiction, Fatimah Asghar traces the intense bond of three orphaned siblings who, after their parents die, are left to raise one another. The youngest, Kausar, grapples with the incomprehensible loss of her parents as she also charts out her own understanding of gender; Aisha, the middle sister, spars with her crybaby younger sibling as she desperately tries to hold on to her sense of family in an impossible situation; and Noreen, the eldest, does her best in the role of sister-mother while also trying to create a life for herself, on her own terms.

As Kausar grows up, she must contend with the collision of her private and public worlds, and choose whether to remain in the life of love, sorrow, and codependency she’s known or carve out a new path for herself. When We Were Sisters tenderly examines the bonds and fractures of sisterhood, names the perils of being three Muslim American girls alone against the world, and ultimately illustrates how those who’ve lost everything might still make homes in each other.

Remarkably Bright Creatures, an exploration of friendship, reckoning, and hope, tracing a widow’s unlikely connection with a giant Pacific octopus.

After Tova Sullivan’s husband died, she began working the night shift at the Sowell Bay Aquarium, mopping floors and tidying up. Keeping busy has always helped her cope, which she’s been doing since her eighteen-year-old son, Erik, mysteriously vanished on a boat in Puget Sound over thirty years ago.

Tova becomes acquainted with curmudgeonly Marcellus, a giant Pacific octopus living at the aquarium. Marcellus knows more than anyone can imagine but wouldn’t dream of lifting one of his eight arms for his human captors–until he forms a remarkable friendship with Tova.

Ever the detective, Marcellus deduces what happened the night Tova’s son disappeared. And now Marcellus must use every trick his old invertebrate body can muster to unearth the truth for her before it’s too late.

Shelby Van Pelt’s debut novel is a gentle reminder that sometimes taking a hard look at the past can help uncover a future that once felt impossible.

Our story begins in 1902, at The Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, The Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way.

Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded-Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins.

A story within a story within a story and featuring black-and-white period illustrations.

From USA Today bestselling author Cassandra Khaw comes The Salt Grows Heavy, a razor-sharp and bewitching fairytale of discovering the darkness in the world, and the darkness within oneself.

You may think you know how the fairytale goes: a mermaid comes to shore and weds the prince. But what the fables forget is that mermaids have teeth. And now, her daughters have devoured the kingdom and burned it to ashes.

On the run, the mermaid is joined by a mysterious plague doctor with a darkness of their own. Deep in the eerie, snow-crusted forest, the pair stumble upon a village of ageless children who thirst for blood, and the three ‘saints’ who control them.

The mermaid and her doctor must embrace the cruellest parts of their true nature if they hope to survive.

When Korede’s dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what’s expected of her: bleach, rubber gloves, nerves of steel and a strong stomach. This’ll be the third boyfriend Ayoola’s dispatched in, quote, self-defence and the third mess that her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede’s long been in love with him, and isn’t prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other…

My Sister, the Serial Killer is a blackly comic novel about how blood is thicker – and more difficult to get out of the carpet – than water…

From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, a passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of #MeToo, and of the link between genius and monstrosity.

In this unflinching, deeply personal book that expands on her instantly viral Paris Review essay, What Do We Do with the Art of Monstrous Men? Claire Dederer asks: Can we love the work of Hemingway, Polanski, Naipaul, Miles Davis, or Picasso? Should we love it? Does genius deserve special dispensation? Is male monstrosity the same as female monstrosity? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? She explores the audience’s relationship with artists from Woody Allen to Michael Jackson, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.

An extraordinary novel inspired by the real-life sorority targeted by America’s first celebrity serial killer in his final murderous spree.

January 1978. A serial killer has terrorized women across the Pacific Northwest, but his existence couldn’t be further from the minds of the vibrant young women at the top sorority on Florida State University’s campus in Tallahassee. Tonight is a night of promise, excitement, and desire, but Pamela Schumacher, president of the sorority, makes the unpopular decision to stay home—a decision that unwittingly saves her life. Startled awake at 3 a.m. by a strange sound, she makes the fateful decision to investigate. What she finds behind the door is a scene of implausible violence—two of her sisters dead; two others, maimed. Over the next few days, Pamela is thrust into a terrifying mystery inspired by the crime that’s captivated public interest for more than four decades.

On the other side of the country, Tina Cannon has found peace in Seattle after years of hardship. A chance encounter brings twenty-five-year-old Ruth Wachowsky into her life, a young woman with painful secrets of her own, and the two form an instant connection. When Ruth goes missing from Lake Sammamish State Park in broad daylight, surrounded by thousands of beachgoers on a beautiful summer day, Tina devotes herself to finding out what happened to her. When she hears about the tragedy in Tallahassee, she knows it’s the man the papers refer to as the All-American Sex Killer. Determined to make him answer for what he did to Ruth, she travels to Florida on a collision course with Pamela—and one last impending tragedy.

Bright Young Women is the story about two women from opposite sides of the country who become sisters in their fervent pursuit of the truth. It proposes a new narrative inspired by evidence that’s been glossed over for decades in favor of more salable headlines—that the so-called brilliant and charismatic serial killer from Seattle was far more average than the countless books, movies, and primetime specials have led us to believe, and that it was the women whose lives he cut short who were the exceptional ones.